Ando Hiroshige was born under the name of Ando Tokutaro. He was born in Edo (Tokyo) as the son of aÂ samurai andÂ fireman. At the age of twelve, both his parents died. Two years later, in 1811, the young Hiroshige received a chance to join the famous Utagawa painting school. At that time, theÂ ukiyo-e master Toyohiro Utagawa was the head of the studio. In 1812 he was formally allowed to take the name Utagawa. From then on he called himselfÂ Utagawa Hiroshige. In the ukiyo-e literature he is usually referenced as Hiroshige Ando.
The art of wood-block colour printing may be said to have enjoyed its finest period during the Edo Period, for it is then that one finds the flowering of this peculiar art of Japan. Again, it may not be in error to state that since the Edo Period there has been a retrogression rather than an advance in this art. We cannot help observing that those artists who have followed the style of wood-block printing developed during the Edo Period have more and more gradually, even from before and through the Meiji and Taisho Eras, fallen short of the achievements of that period. No one can deny that there has been continued copying but with the imitations rather poor comparatively. A renaissance is needed by which the creative art of the present period may bring new vitality and power to the wood-block colour print. Imitation must yield to the new creative power grafted on to the foundations so well laid during the Edo Period.
swedish client gets a fish kite designed by hiroshige ando woodblock print postcard, done in morbid tattoo parlor in cash and carry mall makati manila.